Ben Stiller and Adam Sandler in “The Meyerowitz Stories (New and Selected)” (Credit: Netflix/Atsushi Nishijima)
The place is New York. The time is the present. And Adam Sandler is Danny Meyerowitz, a man who wears stubble with his mustache and a leather jacket with his cargo shorts. He’s searching for a parking spot. He passes one. His daughter, sitting in the passenger seat, tells him about a podcast she likes. He stops — no, a hydrant. A car beeps. “Shut the fuck up!” Sandler screams.
It’s then that the thought bubbles: Yes. Sandler’s back!
For a comedian whose name has been a punchline to a joke about bad comedies for more than a decade, it doesn’t take long for Adam Sandler to win over the audience in “The Meyerowitz Stories (New and Selected).” Nor does it take much. From that first scene, Sandler does his classic Sandler schtick: he’s a little bit pathetic one moment and he rages bright the next. But he’s doing it on 16mm film, in a literary Noah Baumbach movie. And the result is that coverage of the film has centered around how Sandler “triumphs,” how he is “a revelation,” how he is …read more
Source:: Salon – Entertainment